Photographer (Hospitality and Fabric)

About the role

We build wooden houses and hospitality buildings, then operate them ourselves. You will not photograph someone else's project once and leave — you will document the same building from a panel in the factory to the first guest waking up inside it.

This role owns day-to-day production: video, reels, drone and volume. Publication-grade architectural stills for the catalogue and press pack are commissioned from an independent external photographer, so this job is not about one perfect frame a month. It is about a consistent supply of material that never runs dry — and about running your own schedule to produce it.

Key responsibilities

• Content bank: two shooting days per quarter — house walkthroughs, answers to camera, factory sequences, build progress. The shelf must never be empty.

• Eight product assets for a suite launch in one to two concentrated days: hero film, walkthrough, design interview, making-of, guest morning, detail reel and stills.

• Drone work. Aerials that explain the site — the slope, the planting, the ground left intact.

• Event filming, with the shot list agreed in advance.

• Client and owner films: four to six in the first year, at least two on site with the owner speaking.

• Books and coordinates an external film crew when a production needs more than one person.

• Delivers in the right formats every time: 9:16 for reels and stories, 16:9 for LinkedIn and YouTube, full-resolution stills plus web copies — filed to the folder convention.

• Runs your own schedule. Shoots are planned around build progress, weather and guest occupancy.

About you

• 2+ years photo and video, with a portfolio in architecture, interiors or hospitality.

• Drone operation, with your own footage to show. Licence or certification where required.

• Gimbal operation and usable audio capture for narrated walkthroughs.

• Edits your own work: reels, short cuts, and longer cuts for YouTube.

• Manages yourself. You set your own shooting calendar and keep it visible to the team.

• Available for irregular hours. The light we want is at dawn and dusk. Events run in the evening. Builds and guest occupancy set the schedule, including some weekends.

• Mobile. Sites are spread across Uluwatu, Canggu and Ubud, plus the factory and client sites. Own transport is expected.

• Can shoot alone. Most days there is no second pair of hands.

• Own equipment, or a clear list of what needs providing.

• Disciplined about files. Naming conventions and folder structure are not a formality here.